Cam runs into trouble, thanks to mounting debts and a run in with a free runner that costs him his bike, limiting his bicycle courier opportunities. Thankfully, said free-runner happens to be all over Cam and draws him into a dangerous world.
Remember Taylor Lautner, that lad from Twilight, well this was an entry in his ongoing, although infrequent, action career and this film is a vehicle for him to demonstrate his athletic ways, if not his acting prowess. The stunt work certainly gives a sense of danger as Taylor Lautner’s Cam navigates the rocky road of friendship Nikki (Marie Avgeropoulos) and a rivalry with Dylan (Rafi Gavron).
“Look where the car isn’t”
The performances lack weight, it’s like watching an after school drama at times and the action sequences, which features plenty of parkouring all over the shop, aren’t enough to hold the film together. Of course, as interesting as parkour is, it wouldn’t be very interesting if it was just Cam and company leaping over things for 90 minutes, so we get a thrilling plot, involving taking down a bad guy.
“We do everything we can not to get caught.”
It’s not helped that the script doesn’t have weight. The dialogue is heavy on exposition at times and the deepest of characters, Miller (Adam Rayner) comes across as a douche zen master, lumbered with clunky nuggets of wisdom, before turning into a criminal mastermind written with two-dimensional depth, which is still significantly more character than Cam and Nikki.
Although it’s difficult to judge time, it doesn’t seem that much time passes between Cam’s run in with the loan sharks, the rapid descent into danger and the gig that will sort it all. He does, in this time, lose everything, get kicked out of his lodgings and have to go to his new found friends for a new job, as a member of Miller’s criminal group, which all goes well until it doesn’t and Cam has to dig himself out of yet another hole.
For action set pieces, Tracers is a decent film. That’s pretty much it.